Inauguration of new sculptures in the garden

In this work, Elias Kurdy revisits the figure of Cerberus by tilting it towards the unexpected. In place of the three screaming heads of the guardian of Hell, three fully blossomed bouquets emerge. The monster, reduced to immobile whiteness, seems to have lost its primary function : no more fangs, no more incandescent gaze, only blooms that disarm his fury.

Once responsible for keeping wandering souls at the threshold of the realm of the dead, Cerberus here becomes a paradoxical creature : its flower heads no longer threaten, they watch. They set up a final frontier — fragile, alive — between the earth and its own ruin.

In this plant silence, almost solemn, the sculpture seems to question our ability to choose : branch off towards a future where balance with living things is rebuilt, or let this balance dissolve irreparably. The myth, turned inside out like a glove, looks at us as much as he puts us on notice.